That said, Hein makes a great point that often the debate is not about current technology versus better technology. Rather, it’s a question of using technology either to achieve a result or to achieve nothing. He says, “If you’re some freshman in music school, usually the choice is not ‘shall I have a live string quartet play this or shall I have it be fake strings in Sibelius?’ No. It’s fake strings in Sibelius or nothing. And certainly when they get out of music school it’s fake strings or nothing.” So, having technology be there to help us along doesn’t take anything away, it enables us to do more. The role of education needs to be to empower students to make the most out of what’s available and not to mistake technology’s comforts for their own creative acumen.
All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them.
“I set myself such problems as: What can I do with a single note? with its octave? with an interval? with two intervals?” He also added that “certain features of these problems and their solutions have something in common with the principles of serial composition.”
80s hip hop artists
Some house show hosts will have to take a percentage of the door cut to cover their costs, but in most situations, it’s the performing artist who ends up with the lion’s share. Playing a big ol’ fancy venue might be an impressive thing for a burgeoning band to brag about, but with all the staff and overhead costs, the bands won’t earn any money unless they’re able to fill it. At a house show, you’re not expected to bring in hundreds — you can even make the gig free to attract more people and ask for donations.
The main takeaway here is that you don’t have to follow a typical form if you don’t want to! There’s so much great through-composed music, and sometimes, it can be really freeing to embrace this kind of writing.
+ Learn a new musical skill in 10 minutes! Explore Soundfly’s wide array of free online courses and gain a musical edge during your lunch break. Or sign up for the Soundfly Weekly newsletter and learn something new every Tuesday.
Join Soundfly’s team of musically diverse, education-obsessed professionals and contribute to our mission to help musicians everywhere grow their skills.
I mean, I would’ve loved to have been there, and I would’ve relished that sacred moment of being in bodily proximity to Jigga. But what did Jay Z really do here that is so unlike the typical process of recording and producing an album, and then throwing a killer party to release it?
Most influential rappers of all time
John Entwistle almost didn’t make this list, by virtue of being, well, too good. There are so many great Who songs to choose from, but one melody that tends to stick in my head is the pentatonic major run heard behind the “I tip my hat” refrain in this song. The riff starts at the relative minor and runs down to the root, hitting all five notes of the scale. It’s a simple sequence, but I’ve noticed that scalar walk-downs to the root pretty much always sound good on the bass. (For example, check out the choruses of the Beatles’ “Helter Skelter” and Kiss’ “Shout It Out Loud”). Entwistle repeats this motif several times throughout the chorus with slight variations that keep it continually compelling.
Syrian-American and with a voice gorgeous enough for radio, Káryyn entered 2019 running at full speed, with her full-length debut The Quanta Series earning rave reviews. The album is a meditation on memory, loss, and connections. Káryyn was compelled to write it after losing relatives in Aleppo in 2011. Her productions evoke the sounds of contemporary electronic music, but morph and shift to evoke the grief her music is channelling. Through it all, the music is held together by a core of great songwriting and Káryyn’s exceptional singing. You can listen to the album here.
When you’re on a national tour playing in new cities every night, you never know what you’re going to get. Here’s a list of the types of venues to expect.
As it turns out, when Lang heard Ischi do his thing, he was so impressed that he took him under his wing. Think about that for a second. That would be like a kid obsessing over Wilco albums, getting really good at writing songs, and eventually getting the chance to be mentored by Jeff Tweedy.
The previous section dealt with music that we, as youngsters, opted to listen to. But you can achieve similar results with melodic and intervalic relationships culled from children’s music. Children’s music is often written so simplistically as to be memorable for life, so referencing those simple melodies is sure to bring an audience back to those early formative moments.